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Rachmaninov-Moment Musical in Db Op.16 #5 - Adagio sostenuto

Discussion in 'Submission Room' started by arensky, Jan 13, 2007.

  1. arensky

    arensky New Member

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    Recorded last night. This was harder than I thought it would be, keeping the LH accompaniment even as all three notes (F Ab Db ) are in different registers of the piano. And to pedal it seamlessly without "bumps" in the texture. I thought this came out rather well, only two things bother me.

    Hoped to post the infamous c# minor Op.3 #2 with this but the second page is not quite there yet.... :x . Oh well. More recordings coming soon...

    Rachmaninov-Moment Musical in Db Op.16 #5
     
  2. pianolady

    pianolady Monica Hart, Administrator Staff Member Piano Society Artist

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    Nothing bothered me. The left hand was very smooth - everything sounded fine.
     
  3. techneut

    techneut Active Member Piano Society Artist

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    Very nice Chase ! The Op.16 is not my favourite Rachmaninov but I'll admit you did this beautifully. Must be taxing indeed for the LH, this wide swinging motion. Very poised and thoughtful. You are a natural Rachmaninovian.

    I think I know what bothered you, even if it did not bother me :wink: Isn't there a wrong note at 1:08, and another one at 1:57 and possibly 2:05 ? Don't even think of recording it for those, though - I may even be wrong as I've sold the score of this cycle (so would you have a cover image for me ? )

    I have just put it on the site but I was not sure if this is indeed marked 'Andante'. If not let me know.
     
  4. arensky

    arensky New Member

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    Taxing for MY LH. Rachmaninov probably didn't have to move his hand to play this. What was hard is that on my piano the F is wire, the Ab is wrapped in light copper and the Db in heavy copper and is cross-strung. All three of these notes produce a different sonority and balancing them so they are even was difficult. It's probably the reason this lovely piece isn't played more often, it's hard to not make it sound clunky.

    Actually those weren't what was bothering me. At 2:05 I play Eb instead of E double flat, which I was not aware I was doing. :oops: Gettin' old....The other two spots are correct.

    Double flats..... :evil: I prefer to read sharps, actually.

    No cover image, this came from psi.toronto.edu. The indication is Adagio sostenuto.

    Natural Rachmanovian. Thanks! 8) My teachers steered me away from Rachmaninov, it was not to their taste. Haven't played much of him, in fact this is my first solo Rachmaninov piece. I have played the Fourth Concerto, studied the 2nd and 3rd, played several of the songs and both 2 Piano Suites as well as the piano part in the Symphonic Dances.

    Now, I am the teacher. And I will play what I want. :twisted: 8)

    Off to "Ein Idylle".... :D
     
  5. MindenBlues

    MindenBlues New Member Piano Society Artist

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    Chase, that sounded beautiful to me. Calm and with much feeling tasteful voiced.

    :shock: So, that is not much played for you. Only the 2nd, 3rd, 4th concerto and some else. Not much, so you say. Ok, I understand :cry:

    I am looking forward to your Rach 3/2 take!
     
  6. schmonz

    schmonz Amitai Schlair Piano Society Artist

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    Idyll! Idyll!
     
  7. robert

    robert New Member Piano Society Artist

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    Cannot help but quoting this too :D. Indeed a very good recording and Rach's hands could grip extremely wide (wasn't it C-A next octave?) and that is one of the reasons why many of his compositions are so difficult to play for most pianists. You handle it very well.
     
  8. Cydonia

    Cydonia New Member

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    Rach's hands could grip extremely wide (wasn't it C-A next octave?) and that is one of the reasons why many of his compositions are so difficult to play for most pianists.

    From another Web site : :)

    Rachmaninoff's colleague Cyril Smith once saw him take the following chord with his left hand: C-E flat-G-C-G. Well - there are some pianists (but fewer than they claim) who can take an octave and a half, but now comes the point of sheer horror: With his right hand Rachmaninoff could take the following chord: C (second finger)-E-G-C and E (thumb under all the other). This has nothing to do with piano technique - It is physical abnormality!

    A PRAYER : Thanks - God - that Rachmaninoff did not write any music for one hand alone! With his reach he would probably be the only person on the planet who would be able to play it.
     
  9. arensky

    arensky New Member

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    I know pianists who play many of the Preludes, sets of the Etudes-Tableaux, Sonata #2 and at least the 2nd Concerto or Paganini Rhapsody. :shock: I've never played a single solo piece of Rachmaninov until this. That's odd for a middle aged professional pianist, I think. I didn't intend to sound snotty... :? :oops: hope it didn't come across like " conservatory modesty" :roll: .
     
  10. robert

    robert New Member Piano Society Artist

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    Not at all! It just made me smile :p.
     

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