"Der Erlkönig" is a well-known ballad by J. W. v. Goethe and it´s not necessary to mention, that the musical version by Schubert is at least famous as the text by Goethe. We choosed a not too fast tempo at the beginning for to have a bit of space for an accelerando at the end. This song actually is like a "mini-opera", with three different characters and a speaker, and I think, Tatjana has tried to bring these characters out as well as possible. This lied by Schubert is one of my absolute favorites and I´m so happy to have the opportunity to perform it. (This recording for us is a preliminary practice for a little performance we will have in our school soon, btw.) We actually were a bit "out of breath" after each take :wink: , but we had and we still have a lot of fun to do it. Tatjana has put some nice pictures to the video on my YouTube-channel: https://www.youtube.com/watch?v=GO0SZbGqGMM Here is the link to the mp3-file (Franz Schubert, D328, Der Erlkönig, performed by Tatjana Steinke, voice, and Andreas Pfaul, piano): https://d19bhbirxx14bg.cloudfront.net/S ... teinke.mp3 And last but not least a small special remark for Didier: I have recorded this song with Reaper and I have used exactly the settings you have used in your edition of my "Ganymed"-recording (see my Ganymed-thread, please). So there are different levels of gain and panorama on each the left and right channel. After that I have made a mixture of the the voice- and the piano-track, though I don´t know, if this still was necessary. What do you think? See also my recordings of "Frühlingstraum" and "Gefrorene Tränen" here in the forum, please. There I have used another recording technique, which I explain in the thread itself.
Absolute masterwork ! What a drama ... Very engaged performance ! Congrats ! About the sound: in my opinion, better than your first trial but I would like still the voice being more forefront. You can get this with different reverb settings for piano and voice.
Thanks for your quick reply! I´m glad you like our perforance! Yes, I also would like to have the voice being mor forefront. I will try different reverb settings for the voice and the piano track next time.
Hi Andreas, Germany is so rich in its many lieder as well as their traditions and practice performances. Excellent! Thanks for sharing these fine examples. David
Hi David, thank you very much for listening and for your praise! I´m happy you could enjoy it! Yes, the Lieder by Schubert are a rich treasure, which I love from the bottom of my heart! I think, there will follow more Lieder with Tatjana, but also with Michael. We plan to complete the "Winterreise" one nice day. We will see... Best regards Andreas Thanks to Richard, Monica and Chris for to have given me the possibility to link my own uploads to the mainsite myself! I´m very glad about this and I have tried it now the first time (which was quite confusing, btw, but I think, I have got it now) and hope, all works well with the links. If not so, tell it to me, please.
Very nice. The timbre of the singer's voice suits the musical content. I think you did well with the repeated octaves as well, no obvious sign of fatigue!
Hi Andrew, thanks for the praise. I'm glad one does not realize any fatigue at the end. The always continuing tone repetitions are not so easy for me, because I have a quite small hand. So this lied is one of the most demanding for me. It actually means much to me to be able to play it.
Bravo! Perfect balance of sound, musicianship, and drive throughout. This is a very captivating performance - full of color, mood, dynamics, and that driving rhythm is truly magnificent. ~George
Thank you very much, George! This praise means a lot to me! By the way, I see right now, you have joined PS only some month later than me in 2008, so we seem to be of the "same generation" here. :wink: