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Evocation nocturne

Discussion in 'Submission Room' started by Chauvineau, Dec 30, 2016.

  1. Chauvineau

    Chauvineau Member Piano Society Artist

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    First Name:
    Bertrand
    Hi there,
    after a long time off because of many things to do (I know, it is the case for most of us ... :) ), I am back and I propose you a composition of mine. This is a piece I have composed three years ago.
    Recorded on a Yamaha C6 piano, at Studio26 (Antibes, France).
    The file has been very compressed to fit in the maximum format of 10Mo. Nevertheless, I hope it remains audible, and that you will enjoy it! Your comments are welcome, of course!
    Best, Bertrand
     

    Attached Files:

  2. Francois de Larrard

    Francois de Larrard Administrator Staff Member Piano Society Artist Trusted Member

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    Francois de
    Hello Bertrand,
    Finally you are revealing your first own composition. Great date for PianoSociety :) !
    Seriously, I enjoyed listening this piece. I found it has a quite improvised character... Was it written from an improvisation, or did you compose it another way ? I also found late XIXth century influences (Fauré, Brahms, the first Scriabin...). Pianistically it is perfectly executed, with much dynamics and subtility (you seem quite at ease with the composer ;)). Congratulations ! We are keen to hear other compositions. All the best,
     
  3. jordanr

    jordanr Administrator Staff Member

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    Dear Bertrand:

    I really enjoyed this your composition also!
    We have made a composer page for you to feature it on Piano Society.
    Would you able to write a blurb to go on your composer page?
    For instance François' page is available here as an example: http://www.pianosociety.com/pages/larrard/

    Richard
     
  4. Chauvineau

    Chauvineau Member Piano Society Artist

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    Bertrand
    Hello François and Richard,
    thank you for your mails and encouragements! For François, no, the piece is not an improvisation. Well, to go on in a composition, I am generally on my piano, searching for ideas through improvising like attempts. I very scarcely go on far from my piano (it happens nevertheless at times). But it is not a full improvisation, that I would record and write out after.
    For Richard, thank you for havng made a page on the basis of only one composition! In fact, I planify to submit some other compositions, the next one coming soon! I will write a short text as soon as I can.
    Thank you again for all. Best, Bertrand
     

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