Hi Gentlemen. This is my first post, so brief introduction and on with my question. I'm Greg. Nice to meet you. Now thats done, I'd like to hear all your thoughts on an appropriate approach to affectively execute complex polyrhythms such as five against two, eight note triplet against 2 sixteenth note triplets...etc. For reference, I have been studying the Khachaturian Toccota, these polyrhythms are in the central cenction annotated Andante Espressivo I have worked hands seperately w/ and w/o metronome, gone strait at it, and several other techniques such as accenting downbeats and so on and have met with success, yet I know there must be more effecient ways to make these polyrhythms as precise as a South African drum circle Let me know how you approach this.