Dear John-Lewis,
thank you very much for your appreciated comment!
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No one on record gets it right emotionally, except for Feinberg, who reveals/unravels this little prelude in all its magnificence.
That´s very interesting, I don´t know Feinberg and will look for his interpretation.
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But as I say, I find many subtle insights in your version, which insights, btw, i think in this very narrow instance can only be revealed when the piece is played at exactly the tempo you adopted.
I´m happy that someone likes especially my tempo. The feeling of tempo in Bachs pieces is a very individual and different matter as I often have to experience.
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So this is excellent stuff, because really no one hits the mark on this prelude, and you are already so quickly very close to the target.
Thank you, John-Lewis, I´m glad you like it and I think, we have a lot of affinity concerning our imaginations of Bach-interpretation.
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All of us are constrained by TIME, needless to say; so I can't comment on the little things, which little things are easy to correct anyway, and don't really matter much, in any case, when the soul you have already captured!
That´s exactly my point of view. Of course, there may be little things, but the subtleness and soulfulness of interpretation is the most important. Bothering is a performance without soul and with little things.
All the best, Andreas
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