wow, that´s sounds much better than all your versions before. You are improving more and more. Your rhythmic steadiness is quite perfect now!!!
There only stay a few things to do, which you also will master, I´m sure:
bar 6 and 7: you play e-flat-major instead of e-flat-minor. (I know it´s only here e-flat-minor, at the parallel passages it´s always e-flat-major. The devil seems truely to be in the detail, isn´t it?
bar 7 with pickup in the second as-major-part: you play a couple of wrong notes here respective you let out some notes of the chords.
bar 17-20 of the second as-major-part: you drop sometimes the e-flat in the bass-voice.
bar 5 of the second f-sharp-minor-part: the last sixteenth has an a in the upper voice, which is an important part of the melody. It´s not audible in your recording. I just mention this, because the melody sounds so unusual at this place (for those people, who know it very well).
Again in the last four bars you drop sometimes the e-flat in the bass voice.
If you would like to use your vacations for to do further improved versions I will give you some detailed tips on them.
You play this with a great musicality. I´m deeply impressed and I love this as much as the wonderful sound-quality of this recording. Did you choose any effect of Bricasti M7, btw?