diminished2nd wrote:
there's a two piano version of it?
Yes, there is! I think the story behind the evolution of the piece is that it was originally conceived as a string quartet; however, Clara Schumann persuaded Brahms that it would be more prudent to reshape it into a two-piano version. She didn't exactly like that either and set Brahms to make it into a piano quintet. Quite a fussy woman! After all that, she tried to coerce the poor composer to make it into a symphony but he declined. I would too!
I love Argerich and Zilberstein's recording of the two-piano work - it makes me wish more than ever that I could play with just half of the enthusiasm and expression that those two do. Not that wishing will get me anywhere...
diminished2nd wrote:
I looove the scherzo from that one
You like the scherzo too? It's my absolute favorite of the four movements! I've wondered if it could be played alone, as it seems plenty enthralling by itself, but unfortunately it ends on the dominant. I wonder how that could be fixed as to be inconspicuous? I've played around with it a bit and haven't really come up with much that's eminently satisfactory. Any ideas?