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Postby KeenanReimerWatts » Sun Apr 17, 2011 6:46 am


So, is it achieved, so that a piece doesn't sound like 'patchwork'. I thought I'd post one of the pieces I wrote that I've been told is a bit patchy...any comments are welcome!!
The piece is called 'Poem'. It did come in sections, but I tried to make it sound like it flowed...the time signature changes very often throughout, which might be a reason. Anyways.

thanks for listening!
Keenan Reimer-Watts

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Location: Springfield, Missouri, USA

Re: Continuity

Postby musical-md » Sun Apr 17, 2011 7:08 am

You already gave us this work on the thread where you presented the Nocturne. Chris mentioned a continuity issues in regard to your Nocturne, not your Poem (that I can tell). My comment for your Poem is on the other thread "Submission."
Eddy M. del Rio, MD
"A smattering will not do. They must know all the keys, major and minor, and they must literally 'know them backwards.'" - Josef Lhevinne

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Re: Continuity

Postby Perrotta » Tue May 03, 2011 3:05 pm

Surely not "patchy". It has its "interruptions", but they appear just as needed.

I'm not sure, but I sensed an "oriental" atmosphere by the end of the piece... is that so?

Loved the piece. It's a previleg for us to be able to hear the music which is being created in our time, when we can still talk to the composers. Let's not let it go.

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