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I recorded all the piano tracks on an actual piano (with quite good equipment that I borrowed from the AV department at my college, which is why the piano sounds so much better than the vocals), then brought it all back to my computer and layered the vocals over it in Adobe Audition.
I only did pitch shifting in two places -- once at the beginning of the first track (which begins with a four-part fugue, and I had to do some pitch shifting to achieve the soprano and bass pitches) and in the second (where a soprano sings ridiculously high just for comic effect). The pitch shifting should be really obvious because it sounds really silly. I have yet to find a pitch shifting filter that sounds natural after shifting by more than a couple semitones.
Although I have a decent and high falsetto, I elected to sing most of it in my tenor range because I recorded all the vocals in the middle of the night in my dorm room and didn't want to disturb my neighbors by belting out in falsetto!
=)
I'd love to hear your thoughts after you listen to it. I know that the plot and characterization needs work, but hopefully it shows promise as it is.
Ming.
_________________ "Art produces ugly things which frequently become more beautiful with time. . . . Fashion, on the other hand, produces beautiful things which always become ugly with time."
— Jean Cocteau
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